process

My process is rooted in experimentation and intuition. I work with paint, wire, ink, paper, and found objects, combining traditional and unconventional media to create layered surfaces and sculptural forms. Each piece is developed through cycles of construction and deconstruction — building, tearing apart, and repairing until the work shows me what it wants to become. I allow accidents, disruptions, and material resistance to shape the outcome, so that the final work is unpredictable. Reflecting chaos, it shows us what we are to become.