process

My process is rooted in experimentation and intuition. I work with paint, wire, ink, paper, and found objects, combining traditional and unconventional media to create layered surfaces and sculptural forms. Each piece is developed through cycles of construction and deconstruction — building, tearing apart, and repairing until the work carries the chaos I crave. I allow accidents, disruptions, and material resistance to shape the outcome, so that the final work holds both intentionality and unpredictability. This process reflects the chaotic and contradictory forces within the human experience, making the act of creation inseparable from the themes I explore.